Friday, November 26, 2010

"The experience of reading a novel

has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book aside. It is an exercise of make-believe that, like yoga or a religious festival, breaks down barriers of space and time and extends our sympathies, so that we are able to empathise with other lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology, an important novel is transformative. If we allow it to do, it can change us forever.

Mythology, we have seen, is an art form. Any powerful work of art invades our being and changes it forever. The British critic George Steiner claims that art, like certain kinds of religious and metaphysical experience, is the most "'ingressive," transformative summons available to human experiencing'. It is an intrusive, invasive indiscretion that 'queries the last privacies of our existence'; an Annunciation that 'breaks into the small house of our cautionary being', so that 'it is no longer habitable in quite the same way as it was before'. It is a transcendent encounter that tells us, in effect: 'change your life'.

If it is written and read with serious attention, a novel, like a myth or any great work of art, can become an initiation that helps us to make a painful rite of passage from one phase of life, one state of mind, to another. A novel, like a myth, teaches us to see the world differently; it shows us how to look into our own hearts and to see our world from a perspective that goes beyond our own self-interest. If professional religious leaders cannot instruct us in mythical lore, our artists and creative writers can perhaps step into this priestly role and bring fresh insight in to our lost and damaged world.
-from pp. 148-9 of Karen Armstrong's A Short History of Myth

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